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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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★Netflix話題熱作《白線》導演路易斯•普列托全新驚悚鉅作，揭開地底塵封的靈魂軌跡 ★《神秘沼澤》影帝賈維爾•古迪利斯最新力作，力揭詛咒背後的真相 ★巴塞隆納地鐵站最靈異都市傳說，喪命多人的列車隧道裡，隱藏著令人不寒而慄的真相…… 【演員卡司】 《心動隔扇窗》娜塔麗雅•阿扎哈拉（Natalia Azahara） 《我和我的冠軍籃球隊》賈維爾•古迪利斯（Javier Gutiérrez） 《The Rite of Spring》瓦萊麗亞•索羅亞（Valèria Sorolla） 【劇情簡介】 多年前，一樁震撼巴塞隆納羅卡福特地鐵站的神秘事件，深深地影響了在這座古老而寂靜的車站工作的勞拉（娜塔莉亞•阿扎哈拉飾）的生活。當她開始時發現這裡曾發生過多起離奇死亡事件，而其背後，隱藏著不為人知的秘密…… 《地下終劫站》試圖將觀眾帶入這個受詛咒的真實場景，並安插了如超自然事件、古文明中神祕的符號學、黑魔法、刑具等懸疑謎團……加上夜晚的幽暗燈光、空無一人的車廂與迴盪的腳步聲共同構築出一個充滿壓迫的感官世界，讓觀眾彷彿置身於那詭譎的站台之中，並逐步為這個不解之謎抽絲剝繭。準備好探索巴塞隆納最為駭人的一頁，揭開都市傳說的迷霧，迎接這場無法逃脫的恐懼體驗！
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